October 2024
Brace Brace
directed by Daniel Raggett
Royal Court Theatre Upstairs, London
It’s difficult to imagine the writing in better hands, here abetted by a creative team that includes the Tony-winning sound designer Paul Arditti (Billy Elliot) returning to the theatrical fold.
Matt Wolf: London Theatre
The hair-raising sound design by Paul Arditti, complete with the eerie silence of engines switching off as the hijacker storms the cockpit and attempts to throttle the captain. Then there is the keening of the nosedive... All of it feels incredibly real and dangerous.
Arifa Akbar: The Guardian
The upstairs space has been reconfigured in the shape of a plane cabin; Paul Arditti’s immersive soundscape with its whirring jet engines and ambient aircraft background noise add a touch of uncanny, thrilling realism.
Claire Allfree: The Telegraph
Together with... the roar of Paul Arditti’s nerve-jangling sound design, it’s a powerfully visceral experience in no need of words.
Tom Wicker: Time Out
It’s a real coup de theatre and huge plaudits belong to director Daniel Raggett and the creative team, including Anna Reid (designer)... and Paul Arditti (sound).
Theo Bosanquet: WhatsonStage
The production, directed by Daniel Raggett and designed by Anna Reid with Paul Arditti’s gripping soundscape, does have an impact.
Aleks Sierz: The Arts Desk
And at times, BRACE BRACE becomes a bit like an immersive experience of a plane crashing in real time - the lighting [Deanna Towli and Lucinda Plummer] and sound (Paul Arditti) are so terrifying and effective that they are almost too vivid... At one point, the violence, sound and fighting (Fight Director Alex Payne) feels so realistic, I actually have to look away.
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