Paul Arditti Sound Design
Paul Arditti Sound Design
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    • Home
    • Contact
    • Current & Recent
    • Reviews & Press
    • Biog
    • Pix
    • 2020-now
    • 2010-2019
    • 2000-2009
    • Pre 2000
  • Home
  • Contact
  • Current & Recent
  • Reviews & Press
  • Biog
  • Pix
  • 2020-now
  • 2010-2019
  • 2000-2009
  • Pre 2000

2020 - now

April 2025

Stranger Things: The First Shadow

directed by Stephen Daldry and Justin Martin

Marquis Theatre, New York

Tony Nomination for Best Sound Design in a Play 2025

Drama Desk Award Nomination for Best Sound Design 2025

Outer Critics' Circle Award Nomination for Best Sound Design 2025


October 2024

Brace Brace

directed by Daniel Raggett

Royal Court Theatre Upstairs, London


It’s difficult to imagine the writing in better hands, here abetted by a creative team that includes the Tony-winning sound designer Paul Arditti (Billy Elliot) returning to the theatrical fold. 

Matt Wolf: London Theatre


The hair-raising sound design by Paul Arditti, complete with the eerie silence of engines switching off as the hijacker storms the cockpit and attempts to throttle the captain. Then there is the keening of the nosedive... All of it feels incredibly real and dangerous. 

Arifa Akbar: The Guardian


The upstairs space has been reconfigured in the shape of a plane cabin; Paul Arditti’s immersive soundscape with its whirring jet engines and ambient aircraft background noise add a touch of uncanny, thrilling realism. 

Claire Allfree: The Telegraph


Together with... the roar of Paul Arditti’s nerve-jangling sound design, it’s a powerfully visceral experience in no need of words. 

Tom Wicker: Time Out


It’s a real coup de theatre and huge plaudits belong to director Daniel Raggett and the creative team, including Anna Reid (designer)... and Paul Arditti (sound).

Theo Bosanquet: WhatsonStage


The production, directed by Daniel Raggett and designed by Anna Reid with Paul Arditti’s gripping soundscape, does have an impact. 

Aleks Sierz: The Arts Desk


And at times, BRACE BRACE becomes a bit like an immersive experience of a plane crashing in real time - the lighting [Deanna Towli  and Lucinda Plummer] and sound (Paul Arditti) are so terrifying and effective that they are almost too vivid... At one point, the violence, sound and fighting (Fight Director Alex Payne) feels so realistic, I actually have to look away. 

Beth Bowden: All That Dazzles


December 2023

The Motive And The Cue

directed by Sam Mendes

Noel Coward Theatre, London


December 2023

Stranger Things: The First Shadow

directed by Stephen Daldry and Justin Martin

Phoenix Theatre, London

WhatsOnStage Nomination for Best Sound Design 2024

Olivier Award Nomination for Best Sound Design 2024


August 2023

The Odyssey: Part 5 The Underworld

directed by Emily Lim

National Theatre, London


April 2023

The Motive And The Cue

directed by Sam Mendes

Lyttelton Theatre, London


March 2023

Guys and Dolls

directed by Nicholas Hytner

Bridge Theatre, London

WhatsOnStage Nomination for Best Sound Design 2024


October 2022

Local Hero

directed by Daniel Evans

with music by Mark Knopfler

Minerva Theatre, Chichester


September 2022

The Crucible

directed by Lyndsey Turner

sound co-designed with Tingying Dong

Olivier Theatre, London


September 2022

Jack Absolute Flies Again

directed by Emily Burns

Olivier Theatre, London


April 2022

 Our Generation

directed by Daniel Evans 

Minerva Theatre, Chichester 


February 2022

Our Generation

directed by Daniel Evans

Dorfman Theatre, London


December 2021

La Belle Sauvage - The Book Of Dust

directed by Nicholas Hytner

Bridge Theatre, London


October 2021

Caroline , Or Change

directed by Michael Longhurst

Studio 54, New York

with Sharon D. Clarke


December 2020

Dick Whittington

directed by Ned Bennett

Olivier Theatre, London


September 2020

Children of Nora

directed and written by Robert Icke

Internationaal Theater Amsterdam


January 2020

The Visit

directed by Jeremy Herrin

Olivier Theatre, London

with Lesley Manville and Hugo Weaving


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