Recent sound designs include Brace Brace at the Royal Court Theatre Upstairs; Stranger Things: The First Shadow at the Phoenix Theatre, London (Olivier Award nomination and WhatsOnStage Award nomination 2024); The Odyssey Part 5: The Underworld at the National Theatre, London; The Motive and The Cue at the National Theatre and Noel Coward Theatre, London; Guys and Dolls at the Bridge Theatre, London (WhatsOnStage nomination 2024); Local Hero at Chichester; The Crucible and Jack Absolute Flies Again at the National Theatre; Our Generation at the National Theatre and Chichester; La Belle Sauvage: The Book Of Dust at The Bridge Theatre; Caroline, or Change at Studio 54 in New York; Children of Nora at Internationaal Theater Amsterdam; The Inheritance on Broadway, at the Young Vic and in the West End (Tony Award Nomination 2020, Drama Desk Award 2020, Olivier Award Nomination 2019 - co-design with Chris Reid); A Very Expensive Poison at the Old Vic; Tree at Manchester International Festival and Young Vic; A Midsummer Night's Dream and Julius Caesar at the Bridge Theatre. Other work at the National Theatre includes The Visit, Pericles, Amadeus (Olivier Nomination 2017), Beginning, Mosquitoes, The Threepenny Opera, Ma Rainey’s Black Bottom, wonder.land, Everyman, Behind The Beautiful Forevers, London Road, One Man Two Guvnors (Tony nomination), Saint Joan (Olivier Award),The Pillowman (Drama Desk Award). This Is My Family at Chichester Festival; Local Hero at the Lyceum Edinburgh; Shipwreck at the Almeida, London; The Jungle at the Young Vic, in the West End, New York and San Francisco. Other awards include Tony, Drama Desk and Olivier Awards for Billy Elliot The Musical; Tony nomination for Mary Stuart; Evening Standard Award for Festen. Paul is an associate at the National Theatre. paularditti.com